Awards...and not winning...

Congrats to the mighty Dan Santat on his Caldecott Medal for "Beekle."

Days like today are hard for most writers and illustrators.  We are happy to see our friends win, but I'm sure that the thought of "Why didn't I win?" goes through everyone's mind.  For me, I know it's no longer a jealous, or angry thought, but more of a clinical, academic thought.

What does the winner do better than me?

What skills does he posses that I don't?

Is it the technique being rewarded, or the content of the image?

Are people impressed with the technical accomplishment of the drawings, or the emotional weight that an image can carry?

Why do some books affect readers more than others?

Is there a style that is currently popular?

Hopefully, one can learn from theses questions, as tough as some of the answers might be.  The other thing that has always made me feel less grumpy on a day like today is numbers.  Thousands of picture books were published this year.  Only a few will win awards.

The truth is, I haven't even released a picture book since 2010's "Furious George Goes Bananas." I wasn't even in the running. I have been working on a few ideas, but haven't been able to find the time to really flesh them out.  Between the Icky Ricky books, and the Fangbone! tv work,  and school visits, I'm plenty busy.

This is a cover sketch/idea for one of my new stories.  Excuse me while I go think...

New Book, and Fangbone! update...

Today I started drawing a new picture book written by David Friend.  I haven’t worked on a picture book since 2010, so I’m really excited to get rolling.  It’s a truck book, so that was a terrible joke. 

The first thing that most illustrators do when creating a book, is sketch the whole thing out on one large piece of paper.  This way it’s easier to break up the text, and get a sense of what the whole thing will look like.   I also start looking for good compositions to emerge.  The picture below was just my first pass. There will be many, many more…

People keep asking about the Fangbone! TV show.  I wish I had some answers myself.  The stuff I do know, I can’t share.  Things are looking good though. The waiting at this point is very, very difficult, and it would crush me if the project fell apart this late in the game.  I’m trying to stay positive, which actually is not my default setting and it takes a great deal of effort.  And cake.  Cake helps.

This is a scan from my 2001 picture book, “The Pie is Cherry.”  Sadly, it is no longer in print.

Where did the summer go?

Wow!  The summer really went by fast.  I've been creating the art for Icky Ricky #5, and have been working with the Fangbone! writers on some new scripts.

I'm putting up a few sketchbook pages just for fun.  There's no theme here, and there's nothing to discuss about their content. Just couches, monsters and knights. Enjoy.

I hope to have some big news on Fangbone! shorty!

Icky Ricky 3, and more...

Wow.  Did more than a month pass already?  I’ve been working on a few different things.  Icky Ricky #5 has been written, and I just completed the sketches.  Book #6 has been outlined.  I’m beginning to write that one now, and in a week or so I will begin on the book #5 final drawings.  It sounds a bit complicated, but it all makes sense in the end.

Icky Rick #3: The Dead Disco Raccoon was published in May.  I think it is, by far, the funniest of the bunch.  As always, there are a few different stories in the book.  In book #3 Ricky buys an ice cream cake on the hottest day of the summer, tells the story of how he met Gus, cleans a kitchen with a leaf-blower, buys a taxidermied raccoon, and gets attacked by a demon toilet!  All for $4.99!

The Fangbone TV project is still chugging forward, and this time I think we see the station ahead.  We had a meeting with Disney XD Canada, the folks who ordered the pilot, and they are very happy with our work.  We are hoping that a final decision, good or bad, will happen in the next few weeks.

A new direction...

With the possibility of the Fangbone! pilot being picked up, I'm trying to develop some animation design techniques.  This is not a style that I have ever focused on, so these initial attempts will most likely be lacking.  These two a from another idea I have been working on for a while.  One's a scientist, one's a presidential type.  I like the shapes, but the line work needs to be taken to the next level.

Happy New Year!

I had an entire other New Year's post ready to go, and then as I pulled up this piece of art, it occurred to me that I didn't actually draw it.  This is a promo piece for the Fangbone! pilot which will be done soon.  This year is a huge roll of the dice and I must admit that I am very nervous.  The show could get picked up which would be amazing and a life-long dream to be working in TV/Film.  (Before I took my illustration career seriously I studied Film at SVA.)

Or, knock on wood, the show doesn't get picked up, then...well, then I have to make peace with that somehow.

But here's the thing...I'm proud of the work I've done on the show.  I'm thrilled that the producers have treated me with such respect and have kept my so involved. I'm over-the-moon happy with the work that the writers and animators have put into it.  It's really, really good and I can't wait for it to be seen.  It's taken years to learn this, but at the end of the day, I must be content with knowing that I did my best.  Whether people like my books, or my art, or the show, well, I can't control that.

Here's to 2014 and doing my best!

Fangbone 4?

I keep getting e-mails asking if I am working on Fangbone! #4.  Sadly, I'm not.  But I have been working on a pilot for Disney Xd Cananda.  Check out this video!

If you want to got, go here!  Choose the voice of Fangbone!

Fangbone! TV Pilot Art

Wow!  I have a great big pile of Fangbone! TV pilot art to share with you today.  I've been sitting on this all summer, but was recently given the go-ahead to post it.  All of the below work was drawn by the wonderful people at Mercury Filmworks.  None of it is mine.

This is what Fangbone's cave looks like now.

The kitchen in Bill's house.

 This is a battle dummy that Fangbone uses to develop his barbarian skills.

 Here are the two other Skullbania warriors that will be regulars on the show.

You can nevr have enough trolls.

 Here's a sketch of Drool's throne room.  This was used to determine scale.  That little red guy is Drool.

Action pose of Fangbone.  This was one of the first pieces that was produced to get a sense of what the who would look like.

More Fangbone! TV design sketches

The Fangbone! pilot is flying along.  Early in the summer the all of the voices were recorded, the storyboards are done, designs have been finalized, and right now I am patiently waiting for the first rough edit.

I still can’t show any of he work produced by the great folks at Mercury Filmworks, but I can post sketches that I have done.

While the designers use some of my sketches almost verbatim, others are used as jumping off points.  People have asked me if I have liked working with other artists, and how it feels to have my worked changed.  Personally, I think it’s great.  The people I am working with are insanely talented, and they really understand Fangbone!

In fact, the best part of this project has been the day I spent up at Mercury doodling and laughing with the lead designer.  It made me feel like I was drawing in my parent’s basement with my friends when I was a kid. It reminded me of why I got into drawing and telling stories for a living.

The actual animation is scheduled to start in September.

This is a detailed drawing of Fangbone's cave.

Some ideas for the tents that the barbarian clans would use.

A throne for Drool.  Known as the "Bone Throne."

This is a communication portal that Fangbone uses to talk to the wizard in Skullbania.  I can't show you him, but he's awesome.

This is how Drool watches Fangbone and Bill.  I can't show you what's it's filled with.

Some character work, and a prop.

Fangbone! Voice Casting

Over the last two weeks I’ve been listening to voice auditions for Fangbone! 

When writing the books, I always had a clear impression of what Bill would sound like, mainly because I spend a lot of time with kids.  But I never got a grip on Fangbone.  I knew what he would say in any given situation, but I could never zero in on exactly how he sounds.

I’ve heard many different interpretations of Bill and of Fangbone himself.  We’ve also been hearing readings for Drool, Bill’s Mom, Principal Bruce and the teacher Ms. Gillian. It’s very hard to put a voice to an image, much harder than I thought.

Some are too cartoony, and some are too straight.  Some try to make every word funny, and some are a bit to restrained.  The truth is, we haven’t heard anyone who is “bad,” just not “right.”  The talent is there; it’s just a matter of finding the right voice, and the right personality to carry the character.  At this point we have some strong contenders, and I am getting to hear some longer audition recordings.

While we did listen to a few children, we’ve decided to go with adults, mainly because of the comedy in the show.  We are also hoping to use a bit of improv, especially for the person who will eventually be doing Bill.